Celebrate the opening of Monica Majoli: Countervision, an exhibition that brings together a suite of new drawings by artist Monica Majoli with materials she curated from The June L. Mazer Lesbian Archives.
Enjoy complimentary food and drinks, and a first look at the new exhibition.
Please note that there is very limited capacity in the room with Majoli’s drawings. To accommodate as many people as possible, we will be bringing in a small group of visitors every 20 minutes throughout the afternoon. When you check-in onsite, you can sign up for a time to see the drawings. Space is available first come, first served. We appreciate your understanding.
About the Exhibition
Monica Majoli: Countervision grew out of archival research Los Angele-based artist Monica Majoli conducted throughout the United States, mining the collections of lesbian photographers Joan E. Biren (JEB), Tee A. Corinne, Honey Lee Cottrell, and Ruth Mountaingrove. Between 1979 and 1983, these artists led and participated in the Ovulars, a series of workshops hosted at the Rootworks lesbian feminist commune in rural Oregon.
For Countervision, Majoli presents a series of drawings set in The June L. Mazer Lesbian Archives. Sourced from photographs taken at the Ovulars, the works tenderly render the bodies of nude women collectively creating together. A grouping of drawings are presented in a five-drawer flat file within a custom-built display structure. Underscoring their intimacy, the works are unframed and you are encouraged to handle them with care. Other drawings and related materials have been discreetly embedded within the extensive collections at the Mazer, and visitors will be guided to experience them.
Alongside her work, Majoli has curated objects from the Mazer's holdings of Sisterhood Bookstore, a feminist community hub that operated in the Los Angeles neighborhood of Westwood from 1972 until 1999. As a young woman growing up in Los Angeles and coming into her sexuality, Majoli and her worldview were deeply influenced by Sisterhood Bookstore. It was there, as a teenager, that she first encountered images of lesbians living full lives, including photographs by the artists who participated in the Ovulars.
Bringing together the Ovulars and Sisterhood Bookstore, Majoli continues her ongoing exploration of sexuality, memory, and precarity through the engagement of archival materials. For her, history does not have a fixed meaning, but rather offers an emotional complexity that continues to reverberate.
About the Artist
Monica Majoli (b. 1963 in Los Angeles) is an artist whose practice examines the relationship between physicality and consciousness through the documentary sexual image. Shifts in materiality mark bodies of work that investigate intimacy and power within the larger context of queer culture and history. Majoli received her MFA and BA from the University of California, Los Angeles.
Since 2006, Majoli has been on faculty at the University of California, Irvine in the Claire Trevor School of the Arts. She has also taught at UCLA, UC Berkeley, and the Graduate Studies program at Yale University School of Art.
Majoli’s work is held in the permanent collections of the Museum of Modern Art, New York; the Whitney Museum of American Art; the Hammer Museum; the San Francisco Museum of Modern Art; the Los Angeles County Museum of Art; the Getty Research Institute; the Grunwald Center for the Graphic Arts; and the Pinault Collection.